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The Pedestrians, by Rachel Zucker
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"Zucker is a poet of bottom-scraping, blood-chilling existential anxiety, one among many, and a poet of New York City, one among many, and a poet of American Jewish inheritance, one among many, and one of the funniest, too."—Boston Review
Rachel Zucker returns to themes of motherhood, marriage, and the life of an artist in this double collection of poems. Fables, written in prose form, shows the reader different settings (mountains, ocean, Paris) of Zucker's travels and meditations on place. The Pedestrians brings us back to her native New York and the daily frustrations of a woman torn by obligations.
That Great Diaspora
I'll never leave New York & when I do
I too will be unbodied—what? you
imagine I might transmogrify? I'm from
nowhere which means here & so wade out
into the briny dream of elsewheres like
a released dybbyk but can't stand
the soulessness now everyone who ever
made sense to me has died & everyone I love
grows from my body like limbs on a rootless tree
Rachel Zucker is the author of Museum of Accidents, which was a finalist for the National Book Critics Circle Award. She is also the author of The Bad Wife, The Last Clear Narrative, Eating in the Underworld, and Annunciation.
- Sales Rank: #179011 in Books
- Published on: 2014-04-01
- Original language: English
- Number of items: 1
- Dimensions: 7.00" h x 5.00" w x .50" l, .0 pounds
- Binding: Paperback
- 160 pages
About the Author
Rachel Zucker is the author of Museum of Accidents (Wave Books, 2009), which was a finalist for the National Book Critics Circle Award. She is also the author of The Bad Wife Handbook (Wesleyan University, 2007), The Last Clear Narrative (Wesleyan University, 2004), Eating in the Underworld (Wesleyan University, 2003), and Annunciation (The Center for Book Arts, 2002), as well as the co-editor (with Arielle Greenberg) of Starting Today: 100 Poems for Obama’s First 100 Days and Women Poets on Mentorship: Efforts and Affections (both from the University of Iowa Press). She is co-author (also with Arielle Greenberg) of Home/birth: a poemic, a nonfiction book about birth, friendship, and feminism. Her memoir, MOTHERs, will be published by Counterpath Press in 2013. A graduate of Yale and the Iowa Writers' Workshop, Zucker teaches at NYU and the 92nd Street Y. She currently lives in NYC with her husband and three sons and was awarded an National Endowment for the Arts Creative Writing Fellowship in 2012.
Most helpful customer reviews
6 of 7 people found the following review helpful.
Like nothing I've read
By NVBMC
From a contemporary poetry ignoramus: This book has kind of blown my mind. It uniquely captures a certain time and place of our existence, with pure language; it reads raw and feels honest. I imagine not everyone would identify with its sentiments and perhaps its demographic is narrow, but I'm still flipping back through favorite parts and expect to periodically for a while to come.
1 of 1 people found the following review helpful.
I see what you're doing, Rachel Zucker.
By Kent Shaw
She is a mother. She lives in a house. She lives in an apartment. She is acclimated to the dimensions of a big city, but many of the poems in this book only mention the big city as something she knows. Quite possibly, she loves the big city more than anything else, because there are no words for this city. Love need not be measured in words. Or even lack of wording. Just in reference and allusion and expansion within the setting that she is at. Is she in Paris when all the words that she uses to talk about the culture are French? Likely. Is the Big City New York even if she never actually gives the city its name? None other, lover!
These are exercises that she does. Is she Rachel Zucker? I like Rachel Zucker, especially in the despicability she has been in other books that feature someone with all the same lifestyle accommodations as what I know Rachel Zucker has. She is the personhood side of a public figure. She has three children. She looks to the she within her and keeps noticing all the different qualities a she must and will and did and ruefully have as an animal. A human is an animal. She is a human-animal living somewhere where knowing about the city is a way of knowing herself as the animal that prefers cities but still finds relish in other-than-city locales.
And, lest it be overlooked, all the ways that she is with the city, she is with her family, and her husband. Maybe he is like an outcropping of her family. An outcropping can make a continent deformed and more interesting. This book feels like Rachel Zucker continually trying to adjust her clothing so that the outcroppings that make up who she is are hidden or shown in a more complimentary light. But for a reader who is careful, he or she knows. Those are outcropping, Rachel Zucker. I see what you're doing.
1 of 1 people found the following review helpful.
like all of her books
By Fattery
Marvelous, like all of her books.
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