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The Three Musketeers (Classics Illustrated), by Alexandre Dumas, George Evans
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Dumas's classic adventure tale of D'Artagnan, Athos, Porthos and Aramis. Classics Illustrated tells this wonderful tale in colorful comic strip form, providing an excellent introduction for younger readers. Also includes theme discussions and study questions.
- Sales Rank: #252160 in Books
- Published on: 2015-09-01
- Released on: 2015-09-15
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x .10" w x 6.50" l, .0 pounds
- Binding: Paperback
- 48 pages
About the Author
GEORGE EVANS, an artist from Harwood, Pennsylvania, debuted in the illustration field, and attended the Scranton Art School afterwards. After spending three years in the US airforces, he began his career in comics at Fiction House until 1950. There, he worked on among others 'Lost World', 'Senorita Rio', 'Air Heroes' and 'Tigerman'. He was also present at Fawcett, where he worked on 'Captain Marvel', 'Captain Video', 'Bob Colt' and a comic adaptation of the film 'When Worlds Collide'. During this period, he also took courses at the Art Students League in New York. When Fawcett folded, he was brought over to EC Comics by Al Williamson, where he was hired immediately in 1953. Thanks to his technical knowledge of airplanes and machinery, Evans quickly became Kurtzman's favorite on 'Two Fisted Tales' and 'Frontline Combat', yet Evans preferred the freedom of working with Feldstein on the EC horror and SF titles 'The Haunt of Fear' and 'Weird Science'. He also provided striking covers and stories for 'Crime SuspenStories' and 'Shock SupenStories'. In 1955, he drew covers and stories for the "New Direction" aviation title 'Aces High'. When EC collapsed in 1956, he was brought over to Gilberton's 'Classics Illustrated' line. He adapted among others 'Romeo and Juliet', 'The Little Savage', 'Lord Jim', 'The Hunchback of the Notre Dame', and 'The Three Musketeers' to comics. He also did 'Space Conquerors' for Boy's Life magazine. He began collaborations with DC Comics ('Blackhawk') and Gold Key ('Twilight Zone', 'Hercules Unchained') in the early 1960s. He also became George Wunder's assistant on the daily 'Terry and the Pirates', a capacity he held from 1960 to 1973. In 1964 and 1965, he was back in horror comics, with contributions to Warren's Eerie and Creepy. From 1968, he produced various stories about the supernatural for DC Comics. In 1980, he succeeded Archie Goodwin and Al Williamson on 'Secret Agent Corrigan', a series he continued until 1996. During the 1980s and 1990s, he also drew for publishers like Pacific ('Vanguard Illustrated'), Eclipse ('Airboy'), Marvel ('The Nam') and Dark Horse ('Classic Star Wars'), while also illustrating advertising campaigns. He retired in Mount Joy, Pennsylvania, where his final work was doing the 'Flash Gordon' Sunday page on 21 January 2001.
Most helpful customer reviews
231 of 242 people found the following review helpful.
A Pleasant Surprise
By Haley J. The Bat
The only reason I picked up the book was because it was one of "those" books in the school library. You wanted to read it for the points, but everybody who picked it up gaze up and put it back down. *I* even tried to read it once and gave up. But I'm always up for a challenge. The next year I checked it out and informed everybody I knew that I was going to be one of the first people in our school to read the book. Then I decided to begin reading.
The first couple pages are basically one long paragraph that doesn't make sense unless you're re-reading it and already know the characters and what's going on. I was tempted to put it down, but I wasn't going to back down. By about page 30, it was easy to read, and I began to get into it.
What I discovered was that this is possibly one of the best pieces of fiction ever written. I couldn't put it down, and spent a whole Saturday reading it. I never expected it to be what it was from what I'd read on the back. But then, the plot is so complex, and there are so many sub-plots that you wonder how anyone can do it justice.
I read once that many people associate the word "classic" with the word "boring". As I've discovered, this is entirely not true. When I thought about it, the reason books become classics aren't because they're old and boring, but because people love them, because they are read by millions. The reason that they lasted for so long is because people kept them alive. I'm sure that in a century from now, only a select few books that we enjoy will still be in print, and those particular books will be the best of our time, just as The Three Musketeers was the best of its time.
I'm sorry if this review didn't suffice, I'm just hoping that maybe somebody will read it and give it a try. So far I haven't talked anyone I know into reading it, but they're not bookworms like me. People are intimidated by its size, but from my experience, the best books are the largest. When an author really has a story to tell, one that you will enjoy, one that has a complex, satisfying plot, then it's going to be long.
Okay, I'm done lecturing anyone who got this far. :)
114 of 123 people found the following review helpful.
Huzzah!
By Stephen Balbach
An "endless adventure" breathlessly moving from one scene to the next: sword-fighting, court espionage, sex scandals, poisonings, assassinations, undying love and so on.
'Les Trois Mousquetaires', first published in 1844, was soon translated into three English versions by 1846. One of these, by William Barrow, is still in print and fairly faithful to the original, available in the Oxford World's Classics 1999 edition. However all of the explicit and many of the implicit references to sexuality had been removed to conform to 19th century English standards of morality, thus making the scenes between d'Aragnan and Milady, for example, confusing and strange. The most recent and new standard English translation is by award-winning translator Richard Pevear (2006). Pevear says in his translation notes that most of the modern translations available today are "textbook examples of bad translation practices" which "give their readers an extremely distorted notion of Dumas's writing." Thankfully we have high quality translations like this one now available.
71 of 75 people found the following review helpful.
Not all "Three Musketeers" are alike!
By Schmedley
If one were to search for "The Three Musketeers" in Amazon's Kindle store, you might find several listings, some free, some for $0.99. AVOID THEM! Most are repackaged versions of the same stilted translation by William Barrow which reads like a 2nd year French student's term paper. It captures nearly all of Dumas' words and none of his nuance. Also, be warned that some of these packages are abridged versions and do not advertise themselves as such.
I heartily recommend the Lowell Bair 1984 translation printed by Bantam Books and available for Kindle here: http://www.amazon.com/The-Three-Musketeers-ebook/dp/B000FC29H0/ref=tmm_kin_title_7?ie=UTF8&m=AG56TWVU5XWC2&qid=1301931164&sr=1-1-catcorr. This most excellent translation is fresh, modern and faithful to both the spirit, grace, and the character of Dumas' authorized editions (there were at least three). Bair's translation is both literate and elegant. Unlike the Mobi/Project Gutenberg/Barrow version(s?), it never forces you to rearrange 19th century French grammar and syntax into modern 20th/21st century English. Bair does this for you without distilling out any of the flavor and panache that Dumas (et alia) infused into the original serials.
Similar to Bair's artistry is that of LeClerq (http://www.amazon.com/The-Three-Musketeers-ebook/dp/B000FC1KNY/ref=tmm_kin_title_popover?ie=UTF8&m=AG56TWVU5XWC2&qid=1301931164&sr=1-1-catcorr) and Pevear (http://www.amazon.com/Three-Musketeers-Penguin-Classics-ebook/dp/B000Q9J0QA/ref=tmm_kin_title_8?ie=UTF8&m=AG56TWVU5XWC2&qid=1301931164&sr=1-1-catcorr). Why the Pevear Penguin edition costs three times what Bair's and LeClerq's do is beyond me since I only sampled the Kindle version. However, I have read Bair's in hardcopy and recommend it for your Kindle reading pleasure. If you really are hard pressed for cash, then by all means: go for the free/cheap versions. Just remember, cheap does not bode well for quality.
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